September 04, 2003
Critical Theory Need Not Frighten
via Andrew comes a pointer to Landscapes of Capital, a website devoted to deconstructing recent media campaigns devoted to commerce and technology.
There seems to be an entire book's worth of material here, all served up for free to you, the Web reader. I've spent nearly an hour pouring through it, and I'm not even close to reading it all.
Though it takes a semiotic approach, and quotes people like Barthes and Bakhtin, don't let that scare you! It actually serves as a wonderful primer, making critical theory approachable by presenting it in an accessible context. It's great that the authors have made available the actual commercials in question, so you can see exactly to what they are referring, and understand their criticisms much more easily.
The content of the site is fascinating, depicting how corporations utilize imagery to promote certain mythologies, and how a number of patterns have emerged in the telling of these stories.
I was particularly taken with a series of ads developed in 1998 for First Union (which hadn't been shown out here on the West Coast). These are slickly produced, very expensive, remarkbly dense creations, which, as the authors point out, provide a treasure trove of symbolism.
Geeks will appreciate an ad from Micron Electronics, as it stars Jeri Ryan before she made it big as 7 of 9 on Voyager.
As someone who has read a bit of history about the American west, MCI Worldcom's ad that equates the new global information infrastructure with the "golden spike" that connected east with west via railroad is remarkably prescient in a way that was unattended -- we commonly associate the railroads with the corporate malfeasance of the robber barons, and a couple years after this ad was shown, MCI Worldcom became an icon of swindling and greed.
In a following post, I'll discuss some meta-issues around this remarkable website.
What If I Ditch the Olive?
My latest post to the Beast Blog is worth mentioning here:
The neighborhood playground:
I find it odd that the martini glass (with olive!) is the universal symbol for alcohol. Particularly because the folks at whom this sign is directed are likely drinking something that has it's own identifiable silhouette.
Can I Have Your Attention
Steven Johnson's latest post comes from a chapter of his forthcoming book on attention and focus. It's a good read. Back in the day, I pursued research on attention and focus (Scroll down to April 24, 2001, then back up to April 26, 2001).
